Posts Tagged ‘woodworking courses’

Vicente’s journey from Mexico to the Chippendale School of Furniture

Friday, April 5th, 2013
Furniture Student Vicente Sitting in his Throne Outside the Chippendale School of Furniture

Vicente poses in his ‘throne’ in the sun

This is a furniture student blog by Vicente Ridaura-Harvey from Tampico in north-east Mexico, five hours from the US border near the Gulf of Mexico.

The photographs show the wonderful ‘throne’, one of the pieces created by Vicente at the Chippendale School of Furniture.

Vicente explains that the arms and curved back of his chair are made of sweet chestnut with striking fused glass strips and rosewood details. The legs and seat are made from olive ash. Vicente designed the glass inserts and his mother, a glass artist who is still based in Mexico, fused the pieces together in her kiln at 700 – 800 degrees centigrade.

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The Boat Man Moves North

Thursday, December 6th, 2012

Sandy's stunning clock created at the school

Sandy's stunning clock created at the school

A blog on progress since graduating by Sandy Boyd, winner of the Design Award on the 2011 -12 professional cabinet making course at the Chippendale International School of Furniture.

“Just buy the place – you really can’t lose at that price”. That was Anselm’s advice to me when, during  my second term at Chippendale, I tentatively showed him property particulars relating to a disused fish processing plant on the pier at Gairloch, Wester Ross, where I already had a house that I intended moving to after the cabinet making course.

At 414 sq meters it is an intimidating size and I would not have considered buying such a place had it not been available for a song, due to a liquidation sale. It also has the all important 3 phase power supply. Bankers had being trying to recoup their losses on it for 6 years.  In the end, with advice similar to Anselm’s from a surveyor friend and the local council’s business start up advisor, they got 10% me and my lawyer had another 2% on top of that; the total would not buy you a new mid range car these days.

Every visitor gravitates to the pier so straight into business selling my nautically themed commissions to tourists smitten by the romance of the West Highland seaboard?  Not quite, there are a few issues to address, not least of which is the loft conversion at our house that Catherine rightly insisted should take priority. This job is a story all on its own and nothing to do with cabinet making except that without Chippendale School of Furniture I would never have had the confidence to tackle all the heavy duty joinery.

To paraphrase Anselm “if you can build a box you can build anything” – it’s just a pity that I had already done the planning and building control applications before I learned his views on these particular matters!

There is also some boring stuff that goes hand in hand with a building like this. I have been speaking with the Highland Council about the rates, the building does not qualify for full remission under the Scottish Government small business scheme as the rateable value is too high, however they are allowing me some latitude whilst the business is being developed and have been unexpectedly helpful.

Sandy's boat before it moved north.

Sandy's boat before it moved north.

Getting reconnected to the electricity supply required a large deposit (£2,000) because, as a new business, I have no credit rating; every supplier told me the same thing. Finding out who was responsible for the re-connection (the previous occupant having been disconnected as a bad debtor) was also a bit of work. The whole industry is now a bureaucratic nightmare created in the name of capitalist dogma. It was still “Bruce the Hydro” that turned up to flick the switch, as every local confidante predicted it would be.

Water supply for a business now follows much the same pattern but I gave up on ploughing that particular mine field when I found a stop cock and realised that we were good to go. No doubt they will come and find me at some point: I have not even started on telephones yet and I also have to pay to get my buckets emptied (in addition to any rates charged).

I spent some time speaking with a very nice lady at the NFU mutual office in Dingwall and, although I had a cheaper quote on line, I decided to take their building and general business cover because they offered to tailor things to my exact needs as the business develops and to come and see what was what on site.

You don’t get that service by speaking to a call centre in Calcutta and, in the end of the day, what we want insurance to do is to payout when things go wrong so I reckon the better informed of your actual circumstances the insurers are the more chance there is of that happening.

I dealt with a family firm in Barry, South Wales, imaginatively called “Used Woodworking Machines”. They seem to be the only used machinery supplier online that actually tells you how much money they want for an item. Again, I could have had cheaper by doing the rounds of sales and private disposals but, being remote from the centre of things, that would have cost me more in time, effort and transport in the long run. As it is I got a package deal on a full set of heavy machines, a single delivery charge, I have some kind of guarantee and everything is fitted with DC brakes ready for workshop sharing and tutoring or employing in the future.

Moving into December I will be setting up the machines. I have one commission from my exhibition at Chippendale and recently acquired a “friends and family” for a rocking chair, together with several word of mouth local enquiries about restoration work. I doubt there will be masses of other work coming in the near future but I have plenty to do at the house and in developing and marketing the workshop premises.

Phase one involves creating a machine shop and work bench space, tidying up the frontage cosmetically, and creating some sort of showroom space in time for next tourist season. I still have to clear out a lot of  stuff left over by the former owner, some of it, like the refrigeration plant, will raise cash in scrap value and some of it is just a nuisance – anybody want an artic lorry load of polystyrene boxes ? No? I thought as much!

As with the house I can do much of the building work around the place myself with a bit of help where needed – there is an interesting bartering of labour system goes on here among various self employed people. I quickly realised that playing the self help game in a remote area requires practical transport so out went the X trail and in came the Sprinter van.

It is all a bit nerve wracking at the moment, spend, spend, spend and no guaranteed income from it in the near future. Fortunately, I have cash to invest and I certainly would not advise anyone to take this deep end approach if they were dependant on borrowed money. For me this is a second career and I am investing savings in both the house and business to achieve a lifestyle that I want. Not the most business like approach I know, but at fifty years old I have decided it’s a now or never. One thing I would advise anybody to do is get a decent accountant in on the act as soon as possible. Their services don’t come cheap but even without having done much business yet, due to my accountant’s advice, I have been able to reclaim serious amounts of tax paid on other income, worthwhile even if he did claim around 20% of for his trouble.

I used the lifestyle business phrase when talking to the local Business Gateway advisor and quickly realised it was a mistake. In the midst of a recession the authorities are focused on supporting business that bring immediate employment and the more the merrier. Not that they were offering me anything other than advice (and a bit of leeway with rates) but if anybody out there is banking on government support of any kind be warned, you need to dance very much to prescribed tunes!

So, by this time next year what will Wester Ross Woodwork look like? Well, if all goes according to plan we will have a presentable if somewhat utilitarian building with a “shop front” displaying examples of my own and other woodworker’s products (along with perhaps some leather or glass work made by my tenants, if I’m really fortunate).

Liz Jackson's versatile library steps.

Liz Jackson's versatile library steps.

My fellow Chippendalian, Liz, and I will be sharing spacious workshop accommodation on the main ground floor area and we will have made a decision on either incorporating the first floor section into that facility or splitting it for rent, depending on how we see our plans for a teaching or training element developing. We will have a smart new logo designed by a local professional graphic artist adorning the van and our local adverts and, because I have to actually do some woodwork at some time, my wife Catherine will be busily putting it to good use by applying the internet marketing skills she will learn on the free Gateway course – watch this space!

International Furniture School wins Chamber of Commerce Family Business Award

Friday, October 26th, 2012
L to R: From left to right: Arthur Johnston (Business Partnership), Anselm Fraser, Antonia Fraser, David Lochhead (Springfords Accountants)

L to R: Arthur Johnston (Business Partnership), Anselm Fraser, Antonia Fraser, David Lochhead (Springfords Accountants)

The Chippendale International School of Furniture has just won a local Chamber of Commerce Award for a successful Family Business by “demonstrating sustained success across a broad range of measures”. The award is sponsored by local accountants and tax advisors, Springfords, and the ceremony was hosted by Queen Margaret University.

Anselm Fraser and his wife Antonia set up the international furniture school near Gifford more than 25 years ago. More recently, they have been joined by their son, Jamie, who graduated from the furniture school this June and is now one of five tutors.

“The school’s success means that for the second year running we have a full student roll for our furniture making and restoration course”, says Anselm Fraser. “Forty per cent of this year’s new furniture school students come from overseas, including Japan, Malaysia, South Korea, Barbados, Mexico, Canada, New Zealand and South Africa.

“We’re unique in that our bespoke kitchen and furniture restoration business, Anselm Fraser Furniture, operates in parallel with the furniture school. The ‘Chippendale approach to learning‘ combines lectures and lots of hands-on bench time; the students also learn from each other on a collaborative basis.

“The course is particularly suited to students who want to be furniture making entrepreneurs. This year, for example, five of our most recent graduates have set up furniture making and woodworking businesses in the Chippendale Incubator workshops adjoining the school. They also benefit from our support and from being part of our 34-strong woodworking community.”

At the awards ceremony, the international speaker, author and business strategy guru, Roger Harrop, gave an inspiring presentation entitled ‘Staying in the Helicopter®’.  Roger reminded the 200-strong audience of the four basics of business: be exceptional at what you do; create a great place to work; prospect for business; and focus on the bottom line.

Business guru Roger Harrop who made the keynot speech

Business guru Roger Harrop who made the keynote speech

“In today’s competitive climate where weak businesses don’t survive, successful companies must have belief, passion and courage.  Business owners have to ensure they ‘Stay in the Helicopter®’ to give them a high level, strategic perspective on their business, and not be too focused on the all-consuming, day-to-day details.

“I congratulate all the businesses that won the Chamber’s Awards: GMP Print Solutions, Network ROI, Pure Malt Products, BSS Gas, Qik Serve and the Chippendale International School of Furniture.

“Family businesses employ about half the workforce in Scotland, contribute some 45% of GDP and play a really important role in our communities.

“The Chippendale International School of Furniture deserved to win the Family Business Award for their record of long term success. I admire the premium position they have built in their international education market and the way in which they’ve condensed a 2 to 3 year course into an intensive one year course; the fact that they have a full student roll speaks for itself.

“It’s also great that the furniture school is helping spawn about 10 new furniture design businesses each year and supporting some of their graduates’ businesses in their Chippendale Incubator workshops.”

You can watch a video on the Chippendale International School of Furniture in the Chippendale YouTube channel and further information is available on Roger Harrop‘s website.

Artisans urged to join the computer age

Wednesday, July 18th, 2012

Anais Dancet with her wooden stool, '10 Degrees.'

Anais Dancet with her wooden stool, '10 Degrees.'

Thanks are due to Colin Donald who published this article in the Sunday Herald business section in May 2012 about our cabinet making courses.  Credits are also owed to Steve Cox who took these photos.

Skilled traditional artisans in Britain should reject “luddite” attitudes in order to bring manufacturing back from China, the head of the Chippendale International School of Furniture has said.Anselm Fraser, who runs his own cabinet-making business alongside the Chippendale School’s teaching facilities in a farmstead in East Lothian, said that the school was now offering its 20-strong annual student intake instruction in computer numerically controlled (CNC) machinery, previously shunned by British furniture-making purists adhering to the country’s venerable handmade traditions.

Fraser, who is set to become “the Jamie Oliver of wood”, with regular appearances with presenter Kirstie Allsopp on Channel 4’s new series Kirstie’s Vintage Homes, said:

All the Chippendale Furniture School students work in one big workshop.

All the Chippendale Furniture School students work in one big workshop.

“Ten years ago all carving had to be done by hand but now CNC will carve whatever you can envisage and programme without you even having to be there. The machines used to cost £250,000 each, but if you have the software you can get them for £3000.”

“You can’t be a luddite, you have to embrace the technology that is there, because if you don’t your overseas competitors will. We have a moral obligation to show the students what technology is there, although they can choose just to work by hand if they prefer.

“We are not one of those furniture schools who keep the mystique of doing everything by hand. Our course is only 30 weeks long, so I want the students to spend more time on studying the business of design and learning how to survive as a going concern.”

Founded in 1985, the £17,000-a-year Chippendale International School of Furniture attracts students from as far afield as Japan and the US, many of whom are encouraged to run their fledgling businesses from its adjacent Chippendale Incubator workshops when their furniture course is completed.

Wooden fish carved by former student Camille Rust.

Wooden fish carved by former student Camille Rust.

“We teach the students that survival as a business is about diversifying their base. This is a woodwork school that talks about business; its USP is teaching the spirit of entrepreneurialism of 18th-century furniture-design pioneer Thomas Chippendale, who moved from Yorkshire to London to conquer the world. Working with wood is still a complicated way to make a living, but more and more people realise it is far greener and better for employment in this country to buy more expensive, quality furniture rather than compressed chipboard furniture made in China that pollutes the atmosphere and ends up in landfill.”

Making a contemporary four poster bed

Wednesday, July 18th, 2012

Quentin Dimmer's stunning, modern four poster bed.

Quentin Dimmer's stunning, modern four poster bed.

A blog by Quentin Dimmer of Ghillie Dhu Furniture who graduated from the Chippendale International School of Furniture in 2011. While there Quentin won the students’ Best Design Award for his piece ‘A story teller’s chair – the Viking’s rocker’.

“I got the idea for making the four poster bed from a local antique dealer and friend of the family who suggested I make a four poster as they tend to sell well. I want to continue to make furniture that will eventually furnish an entire house.

“Anyway, I did some research; I really liked the Venetian style of four poster so I started playing on that theme to come up with my own interpretation. I noticed all the four posters I could find were made in dark woods like mahogany and ebonised woods so I wanted to make one in a lighter coloured wood to make it more contemporary.

“I chose birch for the posts as it symbolises fertility and sycamore for the frame and headboard. The wooden candle flames at the top of the posts is to symbolise passion, and the Celtic knotwork headboard is to symbolise love.

“I worked with a tree surgeon for a day and at the sawmill for a day to get the sycamore planked. For the birch, I have an agreement with a local landowner that I can take small amounts of timber from his land in return for helping to manage his woodlands. I aim to manage the woodlands for continual cover and encourage the production of high quality hardwood timber in the longer term. Because I used green timber for the posts, I let it season at home.

“I may take the bed to an exhibition in Aberdeen in September.”

Ghillie Dhu Furniture’s services include furniture design, making and antique restoration. He aims to “make furniture as art”. Using tree surgery skills Quentin also offers an opportunity to have fine or garden furniture made from a tree on your own land.